PreSonus E66 Vs Yamaha HS8

So, you are now confused in choosing between PreSonus E66 vs Yamaha HS8. Both of them are active speakers specially designed for monitoring purposes. They are available in a similar price range. So, between PreSonus E66 vs Yamaha HS8, which one is actually better? Find the answer below.

Continue reading below to learn more about
– The features of PreSonus E66 and Yamaha HS8
– The comparison of the sound quality between these two speakers
– Which speaker that gives the best value for your money

Design
First of all, PreSonus E66 can be a little easier to place than Yamaha HS8, especially if you have a tight or narrow room. This is because PreSonus E66 doesn’t have a rear bass port, so you can place it a little close to the wall without worrying about reflection or distortion. See also: Presonus Eris E8 vs Yamaha HS8.

In addition, PreSonus E66’s MTM design is especially designed to minimize phase displacement and improve spatial resolution, creating a wider sweet spot. In other words, you don’t need to stand exactly in front of the speaker to hear accurately. Also, on the rear panel, you can find acoustic tuning controls to compensate room anomalies.

On the other hand, Yamaha HS8 may be a little more difficult to place, especially in a narrow room. It has a rear bass port, so it needs to be placed about two meters away from the wall behind to avoid reflection and distortion. There are some acoustic controls on the rear panel. You can read the detailed specs from Yamaha here.

Features
PreSonus E66 has an interesting advantage, which is the flexible connectivity. On the rear panel, you can find RCA, TRS, and XLR input ports. So, you can connect virtually any device to the speaker. PreSonus E66 features a switchable low-frequency cutoff and also acoustic space control. On the rear panel, there are three control knobs for adjusting the input gain, midrange, and treble.

On the other hand, Yamaha HS8 only supports TRS and XLR. It does not have any RCA connection port. It also does not have on-board controls for adjusting the mids and highs, but this is not a big problem. It does have a switchable high trim and room control, and also a control knob for the input gain.

Performance
As a matter of fact, PreSonus E66 actually has a higher total output power. It boasts 140-Watt Class A/B bi-amplification, which delivers a clear, open, and less fatiguing audio experience. The sound quality is actually good. However, in comparison to Yamaha HS8, PreSonus E66 is not as good for monitoring. The sound tends to be muffled somehow and lacks clarity. Of course, this will make your hair less fatigued, so it is still good for just casual listening.

On the other hand, Yamaha HS8 has a total output power of 120 Watts. The low-frequency driver has 75 Watts, whereas the high-frequency driver has 45 Watts. The overall sound quality is very good for monitoring. It is flat, clear, highly detailed, and very revealing. It can show any mistake or flaw in the mix. However, for casual listening, it may sound fatiguing.

PreSonus E66 Vs Yamaha HS8

PreSonus E66Yamaha HS8
BrandPreSonusYamaha
Key features- Nested MTM design with dual Kevlar drivers provides smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations - MTM design minimizes phase displacement and leads to improved spatial resolution and a much wider sweet spot - Dual 6.5-inch, custom-woven Kevlar LF/midrange drivers produce dynamic, size-defying bass output- 8inch cone woofer and 1inch dome tweeter - 38Hz - 30kHz frequency response. Power consumption: 60 watts - 75W LF plus 45W HF bi-amp system 120W total - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs
Price

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Conclusion
For monitoring purposes, we highly recommend Yamaha HS8. The sound quality is much better. It is much more detailed and very revealing, so you can easily monitor your mixes. On the other hand, PreSonus E66 actually has good features, but this model is better for casual purposes such as watching movies or listening to music.

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