In case if you are looking for a professional and reliable microphone for home studio recording, but the lofty ultimate AKG C414 is way too not friendly for your budget, then you should consider getting either Shure SM7B or AKG C214. They both are much cheaper alternative options that provide high-quality performance, have been trusted by many musicians of any genre. Well, let us check these two products to find out which one would suit you best. Take a look : Heil PR40 Vs Shure SM7B.
Shure SM7B is one of those classical masterpieces that has been trusted for a very long time. It provides an exceptionally natural sound reproduction, either for music or speech. The frequency response is somehow flat with a pretty wide range, 50 Hz – 20 kHz. The mic emphasizes on bass and mid-range frequency. Shure SM7B features an optimized shielding against signal interference that often caused by computer monitors, and a very effective pop filter which is able to eliminate breath sounds even on close-up vocals. It has a cardioid polar pattern, so it is very good in suppressing noise from the backside, and its rugged design is ready to withstand harsh usage.
On the other hand, AKG C214 is a large diaphragm condenser mic, also with cardioid polar pattern. AKG C214 offers superb detail and up-front sound, making it an excellent choice for solo vocals and instrumentals. Interestingly, AKG C214 has a wider frequency bandwidth of 20 Hz to 20 kHz. As you can see, it has a better edge than Shure SM7B in handling bass. The mic picks up subtle transients and nuances in vocal recordings very accurately. Also, there is a convenient, effective low-cut filter to remove excessive bass frequencies. Read also : AKG C214 Vs 414.
Shure SM7B Vs AKG C214
|Shure SM7B||AKG C214|
|Key features||- Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech. Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting.
- Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors. Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals.
- Classic cardioid polar pattern
- Includes foam winscreen, close-talk windscreen, and locking yoke mount.||- Sonic character of the C414 XLII for beautifully detailed recording of lead vocals and solo instruments
- Outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156dB SPL
- Switchable 20dB attenuator and bass-cut filter for close-up recording and reduction of proximity effect
- Integrated suspension to reduce mechanical noise and vibration from stage
- Roadworthy design all-metal die-cast body with shock- and scratch-resistant finish|
|Customer ratings*||4.7 out of 5.0 stars||4.8 out of 5.0 stars|
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Choosing between Shure SM7B and AKG C214, it depends on your needs. For vocals, Shure SM7B will be best because it handles noises better. The sound will be full and smoother. However, if you are going for a more versatile usage, AKG C214 is the way to go. The accuracy and deep frequency handling on the mic will deliver great value, especially on instruments.