Yamaha HS5 Vs HS7

The Yamaha HS series originates from the company’s first studio monitors, the NS-10, which was first released in 1978. The Yamaha HS series continues the family lineage with the distinctive white cone and many of the superior sonic characteristics, but with notable improvements on the bass response and high-frequency spaciousness. For sure, both Yamaha HS5 and Yamaha HS7 look great. But how do they sound? The following article will explain to you the details on Yamaha HS5 vs HS7. So, continue reading!

The Similarities
Both Yamaha HS5 and Yamaha HS7 are studio monitor speakers designed for mixing. They will show you every audio detail in the mix, and they can highlight any possible problem with their mid-heavy balance and little bass extension. They have great clarity and audio accuracy.

Furthermore, both of these two models are rear-ported. Each has a one-inch tweeter to deliver crisp and accurate highs. Each has one XLR input and one ¼” TS input. These connection options are generally sufficient for studio purposes.

Woofer Size
The first difference between Yamaha HS5 vs HS7 is the woofer size. Yamaha HS5 comes with a 5.0-inch woofer, which is smaller than Yamaha HS7’s 6.5-inch woofer. In general, a larger woofer can give better performance, as the increased size allows the lows and mids to resonate properly.

Frequency Response Range
The next difference between Yamaha HS5 and Yamaha HS7 is the frequency response range. Yamaha HS5 only has a frequency response range of 54 Hz – 30 kHz. The top end is great; it can deliver high-frequency sounds with excellent accuracy. However, the 54-Hz bottom end is not nearly enough at all to deliver the bass that most people need. The last thing that you want to do when mixing the bass section is guessing. This speaker will roll off at 54-Hz, which may cause you to over-compensate. In order to get the best bass performance, you need to pair Yamaha HS5 with a decent sub.

On the other hand, Yamaha HS7 comes with a frequency response range of 43 Hz – 30 kHz. The extended bottom end is a thing to be appreciated. It has what the HS5 is missing, which is proper bass response. Yamaha HS7 does not need to be paired with a sub in order for you to mix properly. The bass response is quite clean and accurate without muddling the mids and highs.

Output Power
Yamaha HS5 has an output power of 70 Watts. This is quite powerful for a small room. The HS5 is definitely designed for a smaller space that does not have sound treatment. For a larger room, you may need something that is more powerful.

Yamaha HS7 has a higher output power of 95 Watts. The higher output power makes it more suitable for a larger room. Note that a large-sized room usually needs some acoustic sound treatment to allow you to hear accurate, undistorted sound.

Since these are near-field monitors, you want to place them pretty close to you. You should put them far enough from the wall because they are rear-ported, but still close enough to you to hear the audio details. This is to ensure that the sound will not bounce off the wall.

Yamaha HS5 Vs HS7

Yamaha HS5Yamaha HS7
Key features- 2-Way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter - 54Hz-30kHz frequency response - 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification- 6.5" cone woofer and 1" dome tweeter - 43Hz - 30kHz frequency response - 60W LF plus 35W HF bi-amp system 95W total - ROOM CONTROL and HIGH TRIM response controls - XLR and TRS phone jack inputs

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In general, Yamaha HS7 is more recommended because of the better bass response and higher output power. You don’t need to pair it with a sub, and you can use it in smaller as well as slightly larger rooms.

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